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Perception: something to think about

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<table> <tbody><tr><td><table> <tbody><tr><td><table width="555" height="1713"> <tbody><tr><td>Perception

..something to think about...


joshua%20bell.jpg


Washington, DC Metro Station on a cold January morning in 2007. The man with a violin played six Bach pieces for about 45 minutes. During that time approx. 2 thousand people went through the station, most of them on their way to work. After 3 minutes a middle aged man noticed there was a musician playing. He slowed his pace and stopped for a few seconds and then hurried to meet his schedule.


4 minutes later:

the violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.

6 minutes:

A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.


10 minutes:


A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.


45 minutes:


The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.

1 hour:


He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.


No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin worth $3.5 million dollars. Two days before Joshua Bell sold out a theater in Boston where the seats averaged $100.

This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people's priorities. The questions raised: in a common place environment at an inappropriate hour, do we perceive beauty? Do we stop to appreciate it? Do we recognize talent in an unexpected context?

One possible conclusion reached from this experiment could be this: If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made.... How many other things are we missing?

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Perhaps this is more a statement about high versus low culture than it is about how much attention we're paying.

To verify this, you might try having Chris Rock spend an hour doing stand-up in the same spot unannounced. Bet the result would be rather different.
 
People will hang on Chris Rock no matter what he will do on the train station. Because he recognized celebrity. On the other hand, the guy who imitates Michael Jackson on the Times Square subway station attracts big crowds, so maybe you have a point, Bob.
 
I know you're only agreeing with me in jest; nevertheless, I would press the point.

Perhaps the explanation is not that we have no time for beauty, but that hardly anyone finds Bach beautiful.
 
All those people who appreciate Bach were in line somewhere else purchasing $100 tickets to Joshua's concert :)
 
Or maybe they don't take the subway very often....
 
I wouldn't even draw those conclusions. As a "social experiment" all it tells you is that people compartmentalize. In the subway, they are in transit, not looking to listen to music that requires your undivided attention for long periods of time. I certainly have noticed beautiful music in the subway and then ignored it because I wanted to get somewhere.
 
the test might not be exactly correct. The experiment should've been conducted in Boston to know for sure.
 
All those people who appreciate Bach were in line somewhere else purchasing $100 tickets to Joshua's concert.

Precisely. Bach (and virtually all classical music) is something of an acquired taste and needs a bit of training to appreciate. And even if a member of the ordinary public did recognise that Bach was being played, he or she would scarcely be able to distinguish between an amateur performance and a virtuoso one. This applies not only to music but also to chess, painting, mathematics, ...

In addition, the lay public only recognises "greatness" when it is told to by expert opinion. Van Gogh didn't sell a single painting during his life.
 
The questions raised are not "do" but "can": CAN we perceive beauty? CAN we recognize talent?
 
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